Rites and social practices

Dancing lights

The Procession of Santa Maria dei Lumi - Holy Mary of Lights - in Civitella del Tronto

At the exit of the Sanctuary of Santa Maria dei Lumi (Holy Mary of Lights), after the celebrations, the faithful gather holding red glass lanterns with candles, which punctuate the procession with their evocative, swaying lights in the landscape as dusk gradually falls. As the Marian effigy is carried in solemn procession to the rhythm of the marching band, the lights that accompany it rekindle the legendary memory of prodigious manifestations from past centuries, when angelic choirs appeared around the sanctuary in the form of flickering lights.
“The dedication of this sanctuary to the Lumi, or to the Lumera, has its roots in the account of a mysterious and ancient tradition that tells of a prodigious event said to have occurred in the second half of the seventeenth century. During that time, luminous hosts of angels are said to have appeared on several occasions; from a distance, they resembled dancing lights around the area surrounding the site”.
Luigi Braccili, 2000
The Sanctuary of Santa Maria dei Lumi – Holy Mary of Lights – stands on a hill a few hundred metres from the fortified town of Civitella del Tronto. Its dual Marian title — “Santa Maria dei Lumi” or “della Lumera”, and at times also “Madonna della piova” — reflects two distinct devotional traditions. The first, older layer refers to a supernatural event that tradition places in the second half of the seventeenth century, when luminous hosts of angels are said to have appeared repeatedly around the hill of the sanctuary, visible from afar as flickering lights that vanished as observers approached: it is from this account that the name of the cult and its dedication to the mystery of the Lumi derive. The second layer is more recent and centres on two episodes of miraculous rainfall preserved in the collective memory of Civitella. The first, dated 20 May 1779, recounts how the Madonna dei Lumi was carried in procession through the districts of the town during a prolonged drought, followed by the arrival of rain as the statue emerged from the sanctuary. The second, dated 27 April 1883, describes a similar act of intercession after a period of drought, and is linked to the modern patronal feast of 27 April. The popular title “Madonna della piova” (“Madonna of the rain”), now less widely used but still preserved in the memory of older generations, also reflects this meteorological dimension. The sanctuary thus represents the point of convergence of a dual devotional movement — luminous and pluvial — which anchors its meaning in the rural life of the area and within a broader ritual system: the first miracle gave rise to the ongoing Candle procession held on 20 May by the community of Rocche and other hamlets (now maintained only by Rocche), while the second generated the patronal feast of 27 April in Civitella, which has survived to the present day with its ceremonial structure intact.

The feast unfolds over a three-day programme that combines religious and civic dimensions. After preliminary activities and secular events, the central moment usually takes place on 26 April, when the Marian procession is held in accordance with the provisions set by the diocesan Curia and the Superintendency, accompanied by a torchlit procession of the faithful. In ordinary years, the image carried in procession is a painted panel depicting the Virgin, while the wooden statue of 1489 — considered of inestimable value — remains in the niche of the altar; on exceptional occasions, such as the Holy Year 2025 or in the post-pandemic period, the statue itself is carried in procession. The procession sets out from the sanctuary, descends along the road and then climbs back up to the town, reaching the main square of Civitella del Tronto, where the Madonna dei Lumi meets the effigy of Saint Ubaldo, patron saint of the town, in a ritual embrace that marks the climax of the ceremony, before finally returning to the sanctuary. Throughout its route, the procession is marked by the characteristic red glass lanterns with candles inside, evoking the prodigious lights of the founding legend. The following day, the main liturgical celebrations take place, including the traditional solemn mass presided over by the bishop of the Diocese of Teramo-Atri, followed by a fireworks display that is particularly cherished by the local community.

The departure of the procession

Band music, sounds of the procession and of the cortege of the faithful.

Civitella del Tronto (TE), 26 April 2024.
Recording by Emanuele Di Paolo,
Don Nicola Jobbi/Bambun Study Centre Archive.

Listen to the track

LOGO CENTRO STUDI EDIZIONI3bianco
1-Civitella-Santa-Maria-dei-Lumi1-Civitella-Santa-Maria-dei-Lumi
Dancing lights
The lights
A group of faithful holds the characteristic red glass lanterns with candles inside, the lights that recall the origin of the cult.

Photo by Emanuele Di Paolo,
Civitella del Tronto (TE), 26 April 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.
2-Civitella-Santa-Maria-dei-Lumi2-Civitella-Santa-Maria-dei-Lumi
Dancing lights
The Madonna dei Lumi
Close-up of the polychrome wooden statue of the Madonna dei Lumi, made by Giovanni di Biasuccio da Fontavignone in 1489, kept in the central niche of the main altar of the sanctuary.

Photo by Emanuele Di Paolo,
Civitella del Tronto (TE), 26 April 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.
3-Civitella-Santa-Maria-dei-Lumi3-Civitella-Santa-Maria-dei-Lumi
Dancing lights
Peasant women bearing offerings
Detail of a fresco inside the sanctuary, by Giuseppe Pauri of Grottammare, depicting women of Civitella in traditional dress offering to the Virgin the fruits of their work: baskets of eggs, sheaves of wheat, bunches of flowers and votive candles.

Photo by Emanuele Di Paolo,
Civitella del Tronto (TE), 26 April 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.
4-Civitella-Santa-Maria-dei-Lumi4-Civitella-Santa-Maria-dei-Lumi
Dancing lights
The procession
The procession, while returning towards the sanctuary, at the centre, the bearers of the Marian effigy, accompanied by the faithful carrying red lights. In the background, the outline of the fortified town of Civitella.

Photo by Emanuele Di Paolo,
Civitella del Tronto (TE), 26 April 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.
5-Civitella-Santa-Maria-dei-Lumi5-Civitella-Santa-Maria-dei-Lumi
Dancing lights
The painting and the sanctuary
A member of the festival committee holds the painting of the Madonna dei Lumi in front of the illuminated portico of the sanctuary; in the background, the fortress of Civitella stands out against the rock.

Photo by Emanuele Di Paolo,
Civitella del Tronto (TE), 26 April 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.

Watch the video

Procession of Santa Maria dei Lumi

The procession carrying the Marian effigy departs from the Sanctuary of Santa Maria dei Lumi, accompanied by the band and by groups of faithful holding red lanterns, as it moves through the agricultural landscape and the surrounding hamlets.

Civitella del Tronto (TE), 26 April 2024.
Footage by Emanuele Di Paolo,
Don Nicola Jobbi/Bambun Study Centre Archive.

Cultural transmission and protection

The current organised form of the feast is overseen by the Associazione Storico Comitato Santa Maria dei Lumi, officially established in 2017 and rooted in an older festive tradition whose contemporary structuring dates back to 1995: in 2025, the association celebrated the thirtieth edition of the feast in its present form. The association is coordinated by a group of around thirty volunteers, composed of young people and adults in a relatively balanced proportion, who work on a voluntary basis throughout the year. As members of the Committee recall, preparations begin immediately after the Christmas holidays: a door-to-door collection is organised across the municipality of Civitella del Tronto and its hamlets; donations are gathered from residents and local sponsors; and the programme for the three days is agreed with religious and musical representatives — the bishop, the friars and the bands. The overall coordination of the event is entrusted to a core group of senior figures, recognised by younger participants as the “pillar” of the feast, in an interweaving of generational roles that constitutes the main guarantee of the continuity of the rite. At the level of the territorial devotional network, the feast of Santa Maria dei Lumi is part of a broader system of ritual practices linking the Madonna dei Lumi to the rural landscape of Civitella and its hamlets. In particular, on 20 May (or the nearest Sunday), the community of Rocche di Civitella del Tronto goes up to the sanctuary bringing as an offering a votive candle — the so-called Torch — associated with a distinct miracle of rain, likewise situated in popular memory between the eighteenth and nineteenth centuries. From a complementary perspective, the late-April feast and the May procession constitute, within the annual cycle of the cult of Civitella, two distinct yet deeply interconnected ritual poles, both rooted in the relationship between the rural community, the cycle of rainfall and the Marian cult of the Lumi.

OTHER ASSETS IN THE SAME MUNICIPALITOTHER ASSETS IN THE SAME MUNICIPALITY

1-Sant_Eurosia-Ceppe
A rolled pasta
The making of ceppe in Sant’Eurosia
1-Rocche-Cero
The Rain Torch
The Candle Procession in Rocche
1-Sant_Eurosia-Fuochi-pirotecnici
The firing of the saints
Pyrotechnic art in Sant’Eurosia