CREDITS
GRANSASSO LAGA ICH
Ideation and realization
Gianfranco Spitilli
Stefano Saverioni
Giancarlo Pichillo
Giovanni Berardino
Mauro Vanni
Giovanni Agresti
Scientific coordinator
Gianfranco Spitilli
Artistic and Multimedia Coordinator
Stefano Saverioni
Translations Coordinators
Giovanni Agresti
Silvia Pallini
Project Coordinator
Gianfranco Spitilli
Giancarlo Pichillo
Technical coordinator
Stefano Saverioni
Supervisor
Mauro Vanni
Fieldworks
Gianfranco Spitilli
Emanuele Di Paolo
Marta Iannetti
Giovanni Agresti
Silvia Pallini
Web Architect
Stefano Saverioni
Graphic design
Stefano Saverioni
Gianfranco Spitilli
GENERAL TEXTS
Gianfranco Spitilli
TEXTS EXPERIENCES
AND EVENTS
Gianfranco Spitilli
Emanuele Di Paolo
Experience Coordinator
Emanuele Di Paolo
Translations
Giovanni Agresti
Renata De Rugeriis
Suzanne Hewitt
Silvia Pallini
COMUNICATION
Arti e Spettacolo
PanSpeech
Networking and dissemination
Eleonora Coccagna
Financial Manager
Giancarlo Pichillo
Massimo Di Taranto
Caterina Fiore
All Texts by
Gianfranco Spitilli
Except for
The language of copper, The hidden plot,The secret word, The "worthy" language
By
Giovanni Agresti
THE HOME PHOTOGRAPHY BY
Giovanni Lattanzi
The Gran Sasso and Pietracamela at night,
seen from Poggio Umbricchio
Production of the Vivo Musei podcast
Arti e Spettacolo L'aquila
CREDITS
ABRUZZO DIGITAL ARCHIVE
Ideation and realization
Stefano Saverioni
Gianfranco Spitilli
GENERAL Coordinator
Gianfranco Spitilli
Technical coordinator
Stefano Saverioni
Graphic design
Stefano Saverioni
Gianfranco Spitilli
Web Architect
Stefano Saverioni
WEB DESIGNER
Stefano Saverioni
Metadata Design
Gianfranco Spitilli
Stefano Saverioni
RESEARCH AND ORGANIZATION
ARCHIVE FUNDS
Gianfranco Spitilli
DIGITIZATION, EDITING AND DOCUMENT CATALOGING
Gianfranco Spitilli
Marco Magistrali
Stefano Saverioni
Emanuele Di Paolo
CREDITS
MAGICH
Ideation
Gianfranco Spitilli
Stefano Saverioni
Valentina Fagnani
Editorial coordinator
Gianfranco Spitilli
TECHNICAL Coordinator
Stefano Saverioni
EDITORIAL STAFF
Valentina Fagnani
For contributions to each issue of the magazine, please refer to the relevant final credits.
We sincerely thank all those who made available photographic, sound and audiovisual documents: all their names are indicated in detail in the respective pages of the inventory.
Bambun
PanSpeech
Lem Italia
