Technical and craft skills
A rolled pasta
The making of ceppe in Sant’Eurosia
They are called ceppe, after the small polished wooden stick that once gave them shape, and they are among the most difficult and fragile handmade pastas in the Teramo repertoire. Shaped over long working days through a methodical and repetitive gesture, in Civitella del Tronto they are the dish of Sundays and festive occasions, prepared tirelessly by the women of Sant’Eurosia and other rural hamlets for their families, for neighbours, and for relatives’ weddings, in a transmission that passes from sister to sister, from godmother to goddaughter, from aunt to niece.
“A soldier — a cook in a garrison — once found himself short of food and realised he had eggs and flour, so he made a dough. But at the time there were no knitting needles. So he took a small wooden stick, which he had smoothed himself with a knife, and used it to make ceppe — the first ceppe. It was a garrison stationed up here in Civitella, back when the Bourbons were still in power”.
Anna Marchetti, 21 March 2025
Ceppe are a fresh egg pasta originating from Civitella del Tronto, made by rolling small pieces of dough — prepared with flour, eggs and water — around a thin rod. Originally this was a polished wooden stick known as a ceppa, later replaced by knitting needles, umbrella ribs or even bicycle spokes, until a thick, hollow macaroni about ten centimetres long is formed. Among the more recent sources, the pasta is documented in the surveys of Rino Faranda on Teramo gastronomy, which identify it as a characteristic dish of the town and its mountainous and foothill areas. Local tradition conventionally links the origin of the ceppa to an episode attributed to the Bourbon period: a military cook stationed in the fortress of Civitella, lacking proper equipment for making pasta, is said to have carved a small wooden stick to shape the dough into hollow macaroni by hand. Although anecdotal and difficult to verify historically, the story accurately reflects the exclusively urban and civitellese origin of the pasta, also confirmed by direct testimonies collected in Sant’Eurosia and the surrounding area, where it is now widely prepared in domestic contexts.
The skill required to produce ceppe that are straight, intact and uniform is considerable, and the process is known to be long and physically demanding. According to the testimony of Anna Marchetti, producing one kilogram of pasta requires around four hours of continuous work by an experienced person, seated at the table without interruption. In the past, a wedding for three to four hundred guests — once the norm in the town — required approximately twenty kilograms of pasta, prepared at least ten days in advance by one or more women of the household.
An anthropologically significant aspect concerns the geography of the practice. Ceppe were originally a prerogative of the town of Civitella del Tronto itself and not of the surrounding countryside: until only a few generations ago, they were neither produced nor consumed in nearby rural areas. In the farming communities of Sant’Eurosia, Rocche, Santa Croce and Sant’Andrea, when eggs were scarce — as they were often reserved for barter — the reference pasta consisted instead of tagliolini or tagliatelle made only with flour and water, typically dressed with legumes. The transmission of ceppe to these hamlets took place through marriage, when women from Civitella who married into surrounding villages brought the practice into their new homes, and through direct learning from godmothers, aunts and sisters, following chains of kinship and social relationships that can still be clearly traced today. Lidia Tulini, for example, recalls having learned from her sister Elda, who in turn had acquired the technique from a woman from Civitella — her son’s godmother — a professional cook who, in the second half of the twentieth century, prepared ceppe for local restaurants and private clients. Living opposite each other, the Tulini sisters then consolidated the practice together: a clear example of how knowledge stabilises and is retransmitted within female networks of residential proximity.
Traditional sauces are varied but remain firmly rooted in the local context. The most widely attested version is served with mushrooms from the Laga mountains, alongside a variant with mixed-meat ragù and local pecorino (sheep’s milk cheese). However, older memory points to an even more ancient and strictly domestic chain of seasoning practices: before the introduction of minced-meat ragù and the widespread use of mushrooms, ceppe were dressed with pork — that is, with the fatty and preserved parts of pigs raised at home and cured in cellars. More recent variations documented in the restaurant circuit of Civitella include white wild boar sauce, porcini mushroom sauce, tomato and basil sauce, or the addition of pallottine alla teramana (small meatballs in the Teramo style).
The skill required to produce ceppe that are straight, intact and uniform is considerable, and the process is known to be long and physically demanding. According to the testimony of Anna Marchetti, producing one kilogram of pasta requires around four hours of continuous work by an experienced person, seated at the table without interruption. In the past, a wedding for three to four hundred guests — once the norm in the town — required approximately twenty kilograms of pasta, prepared at least ten days in advance by one or more women of the household.
An anthropologically significant aspect concerns the geography of the practice. Ceppe were originally a prerogative of the town of Civitella del Tronto itself and not of the surrounding countryside: until only a few generations ago, they were neither produced nor consumed in nearby rural areas. In the farming communities of Sant’Eurosia, Rocche, Santa Croce and Sant’Andrea, when eggs were scarce — as they were often reserved for barter — the reference pasta consisted instead of tagliolini or tagliatelle made only with flour and water, typically dressed with legumes. The transmission of ceppe to these hamlets took place through marriage, when women from Civitella who married into surrounding villages brought the practice into their new homes, and through direct learning from godmothers, aunts and sisters, following chains of kinship and social relationships that can still be clearly traced today. Lidia Tulini, for example, recalls having learned from her sister Elda, who in turn had acquired the technique from a woman from Civitella — her son’s godmother — a professional cook who, in the second half of the twentieth century, prepared ceppe for local restaurants and private clients. Living opposite each other, the Tulini sisters then consolidated the practice together: a clear example of how knowledge stabilises and is retransmitted within female networks of residential proximity.
Traditional sauces are varied but remain firmly rooted in the local context. The most widely attested version is served with mushrooms from the Laga mountains, alongside a variant with mixed-meat ragù and local pecorino (sheep’s milk cheese). However, older memory points to an even more ancient and strictly domestic chain of seasoning practices: before the introduction of minced-meat ragù and the widespread use of mushrooms, ceppe were dressed with pork — that is, with the fatty and preserved parts of pigs raised at home and cured in cellars. More recent variations documented in the restaurant circuit of Civitella include white wild boar sauce, porcini mushroom sauce, tomato and basil sauce, or the addition of pallottine alla teramana (small meatballs in the Teramo style).
A long process
Anna Marchetti, voice.
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025.
Recording by Gianfranco Spitilli and Andrea Salemi,
Don Nicola Jobbi/Bambun Study Centre Archive.
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025.
Recording by Gianfranco Spitilli and Andrea Salemi,
Don Nicola Jobbi/Bambun Study Centre Archive.
Listen to the track


A rolled pasta
Shaping
Lidia Tulini’s hands press and stretch a small piece of dough with the palm after wrapping it around the rod.
Photo by Emanuele Di Paolo,
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.
Photo by Emanuele Di Paolo,
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.


A rolled pasta
Lidia Tulini
Lidia Tulini smiles while preparing ceppe at the table.
Photo by Emanuele Di Paolo,
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.
Photo by Emanuele Di Paolo,
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.


A rolled pasta
The hand gesture
Lidia Tulini’s hands captured in the characteristic gesture of shaping; on the table, the tray where the first group of freshly made ceppe has already been arranged.
Photo by Emanuele Di Paolo,
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.
Photo by Emanuele Di Paolo,
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.


A rolled pasta
The rods
Close-up of the steel rods used to shape ceppe: bicycle wheel spokes, refined and adapted for the purpose by a local craftsman, as long confirmed by Civitella tradition.
Photo by Emanuele Di Paolo,
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.
Photo by Emanuele Di Paolo,
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.


A rolled pasta
Finished ceppe
Freshly made ceppe arranged on a white tray; in the foreground, a macaroni still on the rod, waiting to be removed.
Photo by Emanuele Di Paolo,
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.
Photo by Emanuele Di Paolo,
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.
Watch the video
The making of ceppe
Lidia Tulini demonstrates the main stages of the domestic preparation of ceppe: rolling the dough around the rod, the movement used to gently remove it from the metal support, and the final arrangement on the tray.
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025.
Footage by Gianfranco Spitilli and Andrea Salemi,
Don Nicola Jobbi/Bambun Study Centre Archive.
Sant’Eurosia di Civitella del Tronto (TE), 21 March 2025.
Footage by Gianfranco Spitilli and Andrea Salemi,
Don Nicola Jobbi/Bambun Study Centre Archive.
Cultural transmission and protection
The domestic preparation of ceppe is today practiced by a limited number of women, mostly elderly, concentrated in the town of Civitella del Tronto and in the surrounding hamlets such as Sant’Eurosia, Santa Croce, Rocche and Sant’Andrea. The practice retains a primarily familial function: ceppe are prepared for Sunday meals and festive occasions, for ritual moments within kinship networks — especially wedding banquets — and for exchange with neighbours and significant guests. The transmission of the technique takes place within small family units and networks of female proximity, typically from sister to sister, from aunt to niece, and from godmother to goddaughter, more rarely from mother to daughter, thus confirming the “urban” and lateral nature of the circulation of knowledge, distinct from that of more ancient rural pasta traditions.
From an institutional perspective, the dish is included in the list of Traditional Agri-food Products (PAT) of the Abruzzo Region under the designation “maccheroni con le ceppe”, and its production area is formally identified as Civitella del Tronto and the surrounding territories. The recipe is documented in several local ethnogastronomic publications and is promoted through tourism initiatives such as the summer ceppe festival held in recent years in the hamlet of Santa Croce. Some restaurants in Civitella and the surrounding area include ceppe in their seasonal menus, allowing visitors to experience the dish in its most established form. However, the practice of making ceppe must be considered at risk of disappearance due to the high level of manual skill and the lengthy preparation time required, both of which are incompatible with industrial production and increasingly at odds with the time constraints of contemporary life.
Particularly noteworthy, in terms of the current geography of diffusion, is the fact that in recent years ceppe have gained increasing appreciation not only along the Teramo coast but also in the neighbouring Marche region, between Ascoli Piceno, San Benedetto del Tronto and Porto d’Ascoli, where they are now consumed in quantities comparable to or even exceeding those in their area of origin. This raises the question of a form of identity recognition that extends beyond strictly administrative boundaries, acknowledging both production areas and contemporary zones of consumption.
From an institutional perspective, the dish is included in the list of Traditional Agri-food Products (PAT) of the Abruzzo Region under the designation “maccheroni con le ceppe”, and its production area is formally identified as Civitella del Tronto and the surrounding territories. The recipe is documented in several local ethnogastronomic publications and is promoted through tourism initiatives such as the summer ceppe festival held in recent years in the hamlet of Santa Croce. Some restaurants in Civitella and the surrounding area include ceppe in their seasonal menus, allowing visitors to experience the dish in its most established form. However, the practice of making ceppe must be considered at risk of disappearance due to the high level of manual skill and the lengthy preparation time required, both of which are incompatible with industrial production and increasingly at odds with the time constraints of contemporary life.
Particularly noteworthy, in terms of the current geography of diffusion, is the fact that in recent years ceppe have gained increasing appreciation not only along the Teramo coast but also in the neighbouring Marche region, between Ascoli Piceno, San Benedetto del Tronto and Porto d’Ascoli, where they are now consumed in quantities comparable to or even exceeding those in their area of origin. This raises the question of a form of identity recognition that extends beyond strictly administrative boundaries, acknowledging both production areas and contemporary zones of consumption.



