Technical and craft skills

The gift of May

The culture of virtù in Teramo

On the stalls of the last urban greengrocers, in the days leading up to May Day, the herbs that had awaited all year began to pile up: borage, misericordia, wild fennel, marjoram, mint, sage, dill, pipirella. The bunches are assembled by eye, measured in the palm of the hand, according to a form of embodied knowledge that requires no tools. In Teramo kitchens, dried and fresh legumes rest in separate bowls, soaking or waiting to be cooked, each with its own timing; the custodians of the recipe clean the vegetables one by one and arrange, over several days, a carefully ordered sequence of separate cooking stages. Out of this comes a dish that brings together two seasons: what remains of winter in the pantry and the first fresh produce of spring: virtù.

“Virtù, as an ancient and beautiful custom has it, are prepared in great abundance to be shared with relatives and friends. Forgetting to send a small pot to those who are due one would be an unforgivable lapse, a serious slight — almost a declaration of war — and more than one friendship, however long-standing, is known to have been strained or even broken off because of the failure to deliver a simple ‘cuppino’ of virtù [small portion of virtú]”

Giuseppe Di Domenicantonio, 1997

The virtù of May Day, a composite dish traditionally prepared in Teramo and in several towns across its province, represent the quintessential expression of the city’s gastronomic culture. Their defining feature lies in the coexistence of a wide variety of ingredients, belonging to distinct categories — dried legumes, fresh legumes, leafy greens, spring vegetables, aromatic and wild herbs, cured ham, pork rind, bones and cartilage, sometimes small beef meatballs, and different shapes and types of pasta — each cooked separately and only combined at the final stage, so that every element retains its own flavour within a harmonious and balanced whole.

The dish represents a tangible expression of the meeting between the “clearing out” of winter pantries — with leftover legumes and cereals from the cold season’s stores — and the first wild and cultivated produce already available, forming a gastronomic synthesis that precisely reflects the calendrical threshold between winter and spring. Anthropological studies by Franco Cercone, Giuseppe Di Domenicantonio, Giuseppe Profeta, Alessandra Gasparroni and Emiliano Giancristofaro place virtù within a broader system of May Day ritual foods found across Abruzzo, with corresponding lexical variants throughout the region and neighbouring areas: totemaje in the Frentano areas and the Altopiani Maggiori (especially in Pescocostanzo), granati in the Aventino and Sangro valleys and in the Conca Peligna (in Torricella Peligna), lessame in Atessa, and vertuti in Cittaducale (now in the province of Rieti). All these names refer to the same ritual practice of cooking and sharing legumes and cereals, united by their capacity to “generate anew through sowing”, as Cercone himself notes, drawing on the work of folklorists Antonio De Nino, Gennaro Finamore and Michele Javicoli.

The earliest reference to a preparation comparable to virtù is generally traced back to Poggio Bracciolini, who in his Facetiae of the mid-fifteenth century describes a Roman custom of cooking together, on the calends of May, various legumes known as virtutes. In the second half of the nineteenth century, the Teramo scholar Giuseppe Savini revisited this account, linking it to local practice and influencing subsequent literature. However, these references reveal a similarity that is primarily nominal and calendrical, rather than evidence of a historically documented line of continuity for the dish.

An essential aspect in the preparation of Teramo’s virtù is sourcing: the abundance of leafy greens and wild herbs requires a direct relationship with local growers, who, in the days leading up to May Day, assemble dedicated assortments of young vegetables and spring mixed greens, gathered from the few market gardens that still edge the city. The recipe is therefore not fixed: each family preserves its own version, and the ingredients vary in number and type according to availability, domestic memory and the creativity of the cook, with a widespread tendency to reach or exceed forty components. At its core, the practice remains domestic and largely in female hands. However, its growing presence in local restaurants has gradually established the parallel habit of ordering variable quantities in advance and collecting them on the morning of 1 May, dotting the urban landscape with lines of customers carrying pots and saucepans as they wait their turn.

Preparation begins several days in advance and unfolds according to a predefined sequence of interlinked steps: sourcing and selecting ingredients, cleaning and trimming, soaking, separate cooking, preparing the different types of pasta, and the final combining of all elements in the days immediately preceding 1 May. The guiding principle is the care devoted to the final assembly, which requires a complex knowledge of both eye and palate, acquired through repeated practice. The quality of the dish, therefore, depends on the ability to recognise a balance of colour, aroma and texture — a balance that, in Teramo kitchens, marks the clear boundary between a well-made virtù and a more approximate version, closer to a conventional minestrone.

On a symbolic level, virtù condense a dimension of reciprocity that defines their social meaning: they are prepared in quantities far exceeding the needs of the household precisely because they are intended to be shared with neighbours, relatives, and anyone who stops by during the day. More than in the complexity of its preparation, more than in the complexity of the preparation itself, the deeply communal nature of the dish lies in this circulation and sharing within the home: an economy of food-based gift exchange that the city has continued to practise even as almost all other elements of its agrarian heritage have gradually transformed.

The complexity of virtù

Rosita Di Antonio, voice.

Teramo, 2015.
Recording by Marco Chiarini,
from the film Le virtù. La città in un piatto, Slow Food Condotta Pretuziana..

Listen to the track

LOGO CENTRO STUDI EDIZIONI3bianco
1-Teramo-Virtù1-Teramo-Virtù
The gift of May
Preparing the herbs
The greengrocer Vincenzo Ricci and his wife tie bundles of spring herbs needed for the preparation of virtù in the days leading up to May Day.

Fotogramma dal film Le virtù. La città in un piatto di Marco Chiarini,
Teramo, 2015,
Slow Food Condotta Pretuziana.
2-Teramo-Virtù2-Teramo-Virtù
The gift of May
Legumes soaking
Dried legumes — chickpeas, cannellini beans and large white beans — soaking in separate bowls, in accordance with the rule that requires each ingredient to be cooked separately.

Still from the film Le virtù. La città in un piatto by Marco Chiarini,
Teramo, 2015,
Slow Food Condotta Pretuziana.
3-Teramo-Virtù3-Teramo-Virtù
The gift of May
The stove
Lighting the field stove for the final assembly of the various ingredients that make up virtù, cooked separately before being combined.

Still from the film Le virtù. La città in un piatto by Marco Chiarini,
Teramo, 2015,
Slow Food Condotta Pretuziana.
4-Teramo-Virtù4-Teramo-Virtù
The gift of May
In line awaiting
A group of people waiting to collect the virtù they have ordered from local restaurants.

Still from the film Le virtù. La città in un piatto by Marco Chiarini,
Teramo, 2015,
Slow Food Condotta Pretuziana.
5-Teramo-Virtù5-Teramo-Virtù
The gift of May
Le virtù
Virtù at the end of the preparation, served in portions: the distinct presence of legumes, vegetables, pasta and aromatic herbs is the defining feature of the dish.

Original photo by Maurizio Anselmi,
still from the film Le virtù. La città in un piatto by Marco Chiarini,
Teramo, 2015,
Slow Food Condotta Pretuziana.

Watch the video

The greengrocer and virtù

Vincenzo Ricci, a long-established greengrocer from the Acquaviva area on the outskirts of the city near the Tordino riverbed, prepares with his wife the bundles of herbs needed for virtù, while serving customers in the days leading up to May Day.

Teramo, April 2015.
Footage by Marco Chiarini,
excerpt from the film Le virtù. La città in un piatto,
Slow Food Condotta Pretuziana.

Cultural transmission and protection

Today, Teramo’s virtù represent a living heritage of the city and its province, transmitted primarily within families and largely in female hands, through a network of older women who safeguard the technical knowledge of the preparation and continue to pass it on — albeit with less continuity than in the past — to younger generations. The domestic practice remains central, but it now coexists with a widespread restaurant offering that, on 1 May, presents the dish in more codified versions, contributing to the public visibility of the tradition. On the day of the celebration, virtù still circulate abundantly among households and neighbours. Yet, it is just common to see lines of people, pots in hand, waiting their turn at delicatessens or restaurants to collect their desired share quantity of this sought-after dish.

In terms of recent recognition, the dish was included in June 2013 in the national list of Traditional Agri-food Products established by the Italian Ministry of Agricultural, Food and Forestry Policies, on the basis of a set of guidelines promoted by the Associazione Ristoratori Teramani dentro le mura (ART) and drafted in 2011 by a committee composed of anthropologists, historians, experts in traditional cuisine, restaurateurs and institutional representatives. These guidelines define the ingredients and methods of preparation with the aim of safeguarding the integrity of the recipe in the face of more recent free interpretations that have introduced elements considered extraneous to the tradition. At the same time, however, some practitioners and families regard with a degree of caution the increasing standardisation of a dish historically characterised by domestic variability, emphasising that virtù are, by definition, a family recipe, shaped by the actual and contingent availability of ingredients in the days leading up to the feast.

Among safeguarding initiatives, a central role is played by those promoted by the Slow Food Condotta Pretuziana, which over the years has dedicated meetings, publications and awareness-raising activities to virtù. Within this framework, particular mention should be made of the documentary Le virtù. La città in un piatto, directed in 2015 by the Teramo-based filmmaker Marco Chiarini, produced by the same Condotta with the support of the Abruzzo Region and the Chamber of Commerce of Teramo, and presented at the Milan Expo in the same year. Rich in testimonies, the film brings together oral memory, historical depth and the contemporary relevance of the practice. Equally significant is the contribution of key figures in Teramo’s gastronomic knowledge, such as Fernando Aurini, Rino Faranda and Rosita Di Antonio, who have devoted recipe books and sustained efforts in dissemination and hands-on teaching to Teramo cuisine and to the transmission of virtù.

At present, there are no specific intergenerational transmission pathways aimed at younger generations within school or training contexts. However, the vitality of domestic practice and the attention of associations and restaurateurs suggest that the tradition is likely to continue, at least in the short to medium term. A more problematic issue remains that of the supply chain: the gradual decline of local market gardening, which for centuries characterised the area surrounding the city — as clearly attested in the testimony of Vincenzo Ricci — now constitutes the main material vulnerability of an otherwise highly vital cultural practice. This critical aspect is also reflected in the anthropological interpretation of Franco Cercone, whose analysis highlights the progressive loss of the ritual and domestic context of agrarian origin in which the recipe was historically embedded, largely eroded by the rise of contemporary gastronomic and tourist offerings.

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