Nature and the universe
Shoots without Flowers
Tomato pruning in Castel Castagna
In the vegetable garden at Molino Vecchio, at the foot of the Teramo side of Gran Sasso, Fausto Iezzi walks along rows of tomatoes supported by cane shelters. He stops at each plant, observes it, checks it, and with his fingers removes the small shoots emerging at the axil of the leaves, between the stem and the leaf stalk: the cacchi, the shoots that bear no flower. It is a small yet essential gesture, necessary to preserve the plant’s strength and concentrate all its energy where the fruit will grow.
“The spollonatura (suckering) is the removal, by hand, of the new and unnecessary shoots […]. It is called spollonare (suckering) or sfemminellare (de-shooting) or scacchiare, the act of removing these shoots. This operation, as light as it is delicate, is usually carried out in spring.”
Giuseppe Antonio Pasquale, 1876
Scacchiatura — also known as suckering or de-shooting, depending on local usage — is a form of green pruning consisting of the removal of the tomato’s axillary shoots, the small branches that develop where the leaves separate from the main stem. Locally, they are called cacchi, from which the operation takes its name. Still, they are also referred to as femminelle, suckers or side shoots: terms used to describe a shoot that, if allowed to grow, branches out and draws sap from the plant while giving almost nothing in return. Fausto Iezzi, a farmer in the Molino Vecchio district of Castel Castagna, explains this by showing the tip that bears the flower and the one that does not: the first must be left, the second removed, “otherwise it eats up the plant’s strength”, and the tomatoes remain small. The operation is carried out by hand, plant by plant, repeatedly from May onwards, and becomes an opportunity to tie the shoots to the cane supports as they grow.
Scacchiatura, however, is only one element of what Fausto calls the “control of the vegetable garden”: the careful and daily observation of plants in order to detect disease or pest attacks in time, often encouraged by drought conditions. In an area with limited water availability, where irrigation is carried out by bringing well water into a cistern and distributing it drop by drop using a siphon, knowing how to read weather developments and calibrate watering is therefore an essential part of the farmer’s craft. The vegetable garden must also be protected: for this purpose, Fausto Iezzi uses copper and sulphur — copper solution applied every ten days, always in the evening when temperatures are cooler, following withholding periods that he knows by heart and applies rigorously.
The vegetable garden is cultivated almost entirely with pear tomatoes, with a single row of San Marzano tomato plants, alongside melons, borlotti beans, courgettes and potatoes. Fausto, who worked in industry but has always remained a smallholder farmer, sows tomatoes in early May and produces mainly for family consumption: from wheat — a soft wheat variety called Bolero — he obtains flour for bread, which is baked continuously at home, once a week. To protect the garden from wild boars and porcupines, he has had to fence it in to limit the destruction of melons and potatoes.
That such a humble gesture as scacchiatura has been codified in agronomic treatises over the centuries — as, for example, in the Manuale di arboricoltura da servire pe’ proprietarii, agricoltori, orticoltori, ingegneri by the botanist Giuseppe Antonio Pasquale in 1876 — shows how knowledge of the vegetable garden combines two parallel and interacting domains: the one transcribed and elaborated in manuals, and its oral counterpart, transmitted hand to hand across the countryside. Around this practical knowledge, there still survives a rich universe of beliefs: the memory of those who “made hail” and of those who drove it away by waving a sickle towards the cloud and ordering it to leave; or the conviction that an envious gaze cast upon a flourishing vegetable garden could cause crops to wither. Care for the plant and its protection — both material and symbolic — are integral parts of the same way of inhabiting the peasant world.
Scacchiatura, however, is only one element of what Fausto calls the “control of the vegetable garden”: the careful and daily observation of plants in order to detect disease or pest attacks in time, often encouraged by drought conditions. In an area with limited water availability, where irrigation is carried out by bringing well water into a cistern and distributing it drop by drop using a siphon, knowing how to read weather developments and calibrate watering is therefore an essential part of the farmer’s craft. The vegetable garden must also be protected: for this purpose, Fausto Iezzi uses copper and sulphur — copper solution applied every ten days, always in the evening when temperatures are cooler, following withholding periods that he knows by heart and applies rigorously.
The vegetable garden is cultivated almost entirely with pear tomatoes, with a single row of San Marzano tomato plants, alongside melons, borlotti beans, courgettes and potatoes. Fausto, who worked in industry but has always remained a smallholder farmer, sows tomatoes in early May and produces mainly for family consumption: from wheat — a soft wheat variety called Bolero — he obtains flour for bread, which is baked continuously at home, once a week. To protect the garden from wild boars and porcupines, he has had to fence it in to limit the destruction of melons and potatoes.
That such a humble gesture as scacchiatura has been codified in agronomic treatises over the centuries — as, for example, in the Manuale di arboricoltura da servire pe’ proprietarii, agricoltori, orticoltori, ingegneri by the botanist Giuseppe Antonio Pasquale in 1876 — shows how knowledge of the vegetable garden combines two parallel and interacting domains: the one transcribed and elaborated in manuals, and its oral counterpart, transmitted hand to hand across the countryside. Around this practical knowledge, there still survives a rich universe of beliefs: the memory of those who “made hail” and of those who drove it away by waving a sickle towards the cloud and ordering it to leave; or the conviction that an envious gaze cast upon a flourishing vegetable garden could cause crops to wither. Care for the plant and its protection — both material and symbolic — are integral parts of the same way of inhabiting the peasant world.
Controlling the vegetable garden
Fausto Iezzi, Emanuele Di Paolo, voices.
Castel Castagna (TE), 16 July 2024.
Recording by Emanuele Di Paolo,
Don Nicola Jobbi/Bambun Study Centre Archive.
Castel Castagna (TE), 16 July 2024.
Recording by Emanuele Di Paolo,
Don Nicola Jobbi/Bambun Study Centre Archive.
Listen to the track


Shoots without Flowers
The vegetable garden and the cane shelters
In the vegetable garden of the Molino Vecchio district, Fausto Iezzi gathers the shoots just removed from the plants among rows of tomatoes supported by the characteristic cane shelters tied together at the top.
Photo by Emanuele Di Paolo,
Castel Castagna (TE), 16 July 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.
Photo by Emanuele Di Paolo,
Castel Castagna (TE), 16 July 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.


Shoots without Flowers
Scacchiatura
The gesture of scacchiatura: with his fingers, Fausto removes the shoot emerging between the stem and the leaf-bearing branch, an operation repeated several times on each plant between spring and summer.
Photo by Emanuele Di Paolo,
Castel Castagna (TE), 16 July 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.
Photo by Emanuele Di Paolo,
Castel Castagna (TE), 16 July 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.


Shoots without Flowers
Inspecting the plant
The farmer’s hands inspect the plant from top to bottom to identify the shoots to be removed, distinguishing the branches that will bear fruit from those that would only draw vigour away.
Photo by Emanuele Di Paolo,
Castel Castagna (TE), 16 July 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.
Photo by Emanuele Di Paolo,
Castel Castagna (TE), 16 July 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.


Shoots without Flowers
Green tomatoes
Two still-green tomatoes ripen tied to the supporting cane.
Photo by Emanuele Di Paolo,
Castel Castagna (TE), 16 July 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.
Photo by Emanuele Di Paolo,
Castel Castagna (TE), 16 July 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.


Shoots without Flowers
The flower
The tomato flower against the sky, at the top of the cane support. The branch “that bears the flower” is what scacchiatura protects, removing the unnecessary shoots around it so that the plant can concentrate its strength.
Photo by Emanuele Di Paolo,
Castel Castagna (TE), 16 July 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.
Photo by Emanuele Di Paolo,
Castel Castagna (TE), 16 July 2024,
Don Nicola Jobbi/Bambun Study Centre Archive.
Watch the video
Tomato pruning
Fausto Iezzi performing scacchiatura in his vegetable garden, indicating which shoots should be removed and which should be left in place, and explaining the overall purpose of the operation.
Castel Castagna (TE), 16 July 2024.
Footage by Emanuele Di Paolo,
Don Nicola Jobbi/Bambun Study Centre Archive.
Castel Castagna (TE), 16 July 2024.
Footage by Emanuele Di Paolo,
Don Nicola Jobbi/Bambun Study Centre Archive.
Cultural transmission and protection
Vegetable gardening remains, in inland Teramo, a widespread and resilient practice. Even those who have found employment in factories — as in the case of Fausto Iezzi himself, an industrial worker and at the same time a smallholder farmer since childhood — continue to maintain their own vegetable garden: “especially vegetables, everyone does it”. In particular, Fausto preserved the production of tomatoes from seeds taken from non-hybrid plants, which he recovered over time and continued cultivating until a few years ago. This choice is not dictated by economic convenience — which he himself recognises to be questionable compared with buying produce — but rather by the desire to have one’s own products and to know what is placed in the soil and on the table. It is within this domestic economy that scacchiatura finds its meaning: a precision technique placed at the service of family self-production.
The transmission of this knowledge has taken place orally and through direct imitation, from generation to generation, learning “from older parents and elders”, by observing and repeating. Today, however, this continuity is being tested by the depopulation of small settlements, by the ageing of those who still cultivate, and by environmental factors such as pressure from wildlife and increasing drought.
At present, there are no specific safeguarding initiatives dedicated to the cultivation of vegetable gardens or to the practices that form an integral part of them for intergenerational transmission, although an ancient summer agricultural fair — the Millenary Fair of the Assumption — is organised every year in nearby Ronzano, within the territory of Castel Castagna, with the aim of enhancing agricultural practices and the products connected with them.
The transmission of this knowledge has taken place orally and through direct imitation, from generation to generation, learning “from older parents and elders”, by observing and repeating. Today, however, this continuity is being tested by the depopulation of small settlements, by the ageing of those who still cultivate, and by environmental factors such as pressure from wildlife and increasing drought.
At present, there are no specific safeguarding initiatives dedicated to the cultivation of vegetable gardens or to the practices that form an integral part of them for intergenerational transmission, although an ancient summer agricultural fair — the Millenary Fair of the Assumption — is organised every year in nearby Ronzano, within the territory of Castel Castagna, with the aim of enhancing agricultural practices and the products connected with them.



