Technical and artisanal knowledge

Golden Diamonds

Preparing fried milk in Castel Castagna

In a kitchen in Castel Castagna, in the Sicilian Valley, Monica Di Gaetano cuts a now cold and firm milk custard into diamond shapes, coats the pieces first in flour and then in beaten egg, before sliding them into hot oil. Within moments, the morsels puff up and turn golden; once drained, a quick coating of sugar mixed with powdered cinnamon completes them. These are fritti di latte, a humble yet exquisite, sweet traditionally served at weddings or prepared for the delight of children.
“Cut it into diamond shapes once it has become thoroughly cold, coat it with egg and breadcrumbs, fry it in lard or oil and serve it hot”.
Pellegrino Artusi, 1891
Fritti di latte are among the most widespread and beloved sweets of Abruzzo’s culinary tradition, and, in the province of Teramo, they are also known as cremini or fritti di crema. Their preparation begins with a firm milk custard, cooked over heat and then left to cool until fully set, cut first into broad slices and finally into diamond shapes. Monica Di Gaetano, cook in Castel Castagna, describes the following stages with precision: the diamonds are coated in flour, dipped into beaten egg — to which she adds a small amount of water so that too many bubbles do not form during frying — and then fried in a pan; once golden, they are gently rolled in sugar previously mixed with powdered cinnamon. It is an apparently simple preparation, yet one that is laborious and delicate, whose success depends on achieving the proper consistency of the custard and the right oil temperature, together with a good measure of patience.

This sweet belongs to a broad family of fried custard preparations found throughout Italy, ranging from Ligurian fried sweet milk to Emilian fried custard and Sicilian fried milk. It is probably related to the Spanish dessert leche frita. It is therefore not surprising that Pellegrino Artusi, in his singular work Science in the Kitchen and the Art of Eating Well (1891), codified “fried custard” in two versions: one more restrained, intended to be served as part of fritto misto, and one sweet version, with slight variations, conceived specifically as a dessert.

Fritti di latte are traditionally associated with Carnival, together with castagnole, zeppole and frappe. Yet their function has always been broader: Monica recalls preparing them for weddings and, in everyday life, delighting children. They are, in other words, both a sweet reserved for special occasions and a homemade dessert, equally at home on festive tables and at afternoon snack time. In her restaurant activity, Monica mainly prepares them upon request, alongside more “fashionable” desserts such as pizza dolce, tiramisù and panna cotta, recognising their value as a typical local dessert and the desirability of always including them in the offering — workload permitting.

In the territory of the Sicilian Valley and the Mavone area, where Castel Castagna is located, shepherding and livestock farming have made milk an everyday ingredient: in fritti di latte, this simple food is skilfully transformed into a festive dessert, although its deepest and most enduring roots remain within the domestic enclosure, at the heart of family knowledge transmitted from mother to daughter.

The recipe and the occasions

Monica Di Gaetano and Emanuele Di Paolo, voices.

Castel Castagna (TE), 27 May 2026.
Recording by Emanuele Di Paolo,
Don Nicola Jobbi/Bambun Study Centre Archive.

Listen to the track

LOGO CENTRO STUDI EDIZIONI3bianco
1-Castel-Castagna-Fritti-di-latte1-Castel-Castagna-Fritti-di-latte
Golden Diamonds
The finished dessert
Fritti di latte ready to be served, cut into diamond shapes and coated with sugar and cinnamon.

Photo by Emanuele Di Paolo,
Castel Castagna (TE), 27 May 2026,
Don Nicola Jobbi/Bambun Study Centre Archive.
2-Castel-Castagna-Fritti-di-latte2-Castel-Castagna-Fritti-di-latte
Golden Diamonds
The ingredients
The ingredients for the custard arranged in bowls: flour, sugar, whole eggs and the egg white kept aside, together with a sachet of vanilla for flavouring; milk completes the base of the dessert.

Photo by Emanuele Di Paolo,
Castel Castagna (TE), 27 May 2026,
Don Nicola Jobbi/Bambun Study Centre Archive.
3-Castel-Castagna-Fritti-di-latte3-Castel-Castagna-Fritti-di-latte
Golden Diamonds
Cutting into diamonds
The custard, cooked and left to cool until fully set, is cut into diamond shapes and coated with flour on the pastry board, ready to be dipped in egg and fried.

Photo by Emanuele Di Paolo,
Castel Castagna (TE), 27 May 2026,
Don Nicola Jobbi/Bambun Study Centre Archive.
4-Castel-Castagna-Fritti-di-latte4-Castel-Castagna-Fritti-di-latte
Golden Diamonds
Frying
Monica Di Gaetano fries the morsels, immersing the diamond-shaped pieces previously coated in egg in hot oil. This is the most delicate stage of the preparation.

Photo by Emanuele Di Paolo,
Castel Castagna (TE), 27 May 2026,
Don Nicola Jobbi/Bambun Study Centre Archive.
5-Castel-Castagna-Scacchiatura5-Castel-Castagna-Scacchiatura
Golden Diamonds
Freshly fried
Fritti di latte, just removed from the oil, golden and puffed up, before being rolled in the mixture of sugar and cinnamon.

Photo by Emanuele Di Paolo,
Castel Castagna (TE), 27 May 2026,
Don Nicola Jobbi/Bambun Study Centre Archive.

Watch the video

Preparing fritti di latte

Monica Di Gaetano demonstrates the main stages in preparing the dessert: from cutting the firm custard into diamond shapes to frying and the final coating of sugar and cinnamon.

Castel Castagna (TE), 27 May 2026.
Footage by Emanuele Di Paolo,
Don Nicola Jobbi/Bambun Study Centre Archive.

Cultural transmission and protection

Although she is now a professional cook at her own “Agriturismo Gran Sasso” in Castel Castagna, Monica Di Gaetano explains that she learned to prepare fritti di latte within the family, from her mother and grandmother. This is the most distinctive feature of this knowledge: a domestic recipe, transmitted orally and through gestures from generation to generation, which has moved from the kitchen of the home into that of the restaurant. The dessert thus lives a double life: it remains tied to family and community occasions — Carnival and weddings — while at the same time finding renewed space within local catering, where the rediscovery of traditional recipes also presents it as a component of fritto misto or as a small, sweet accompaniment to local wines.

Examples of safeguarding this preparation can be found in the cookbooks of Fernando Aurini (1964), Rino Faranda (1977), and Rosita Di Antonio (2001), which, over the course of half a century, codified both ingredients and preparation methods. At the same time, the particular continuity of the practice in the Sicilian Valley — where its domestic diffusion remains well documented — strengthens this gastronomic tradition through the forms of oral transmission that have supported and handed it down until today.

The principal threat to the continuity of this heritage lies in the increasingly occasional nature of its preparation, including in restaurants, when compared with more widespread desserts such as pizza dolce, tiramisù and panna cotta, and, more broadly, in the gradual weakening of domestic transmission. At present, no specific safeguarding measures promoted by institutions or local communities have been identified.

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