Nature and the universe

The shoots of the mammara

Gathering wild asparagus in Villa Petto

In the broadleaf woods rising from the Valle Siciliana towards the slopes of the Gran Sasso massif, at the beginning of spring, the shoots of wild asparagus emerge from the ground: slender, dark, slightly bitter spears launched upwards by the mother plant, the mammara. Their gathering is an engaging activity involving solitary foragers or entire families, combining botanical knowledge, familiarity with the territory and powers of observation in the dim light of the undergrowth, among uncultivated areas and impenetrable shrubs.
“I started when I was about three or four years old, always with my father. As a child, I kept asking him the names of all the plants I saw. I used to see the mammara without yet knowing what it was. So I would ask him: ‘Dad, what is this?’ And he would answer: ‘This is the plant from which asparagus grows’. After a while, sometimes I forgot the name. But one day he told me: ‘Remember the word mamma’, and from that day on I never forgot it again”.
Alessandro Di Carlo, 22 April 2025
The gathering of wild asparagus, li spirnë, is a practice of vegetal foraging widely attested throughout the Gran Sasso area of the province of Teramo, linked to springtime and to the widespread intergenerational habit of traversing woods and uncultivated land in search of Asparagus acutifolius, a perennial plant of the Asparagaceae family characterised by a woody branched structure and a needle-like tip that, once mature, makes it easily recognisable even from a distance. From the mother plant, locally called the mammara, the young shoots emerge in springtime: the edible part and the primary object of the painstaking gathering activity.

In Villa Petto di Colledara, a hillside hamlet on the eastern slopes of the massif, the practice reveals the essential structure of an activity in which botanical knowledge, meticulous familiarity with the territory and silent concentration coexist alongside a playful and recreational dimension. Gathering takes place between March and late spring, with variations depending on seasonal conditions and slope exposure. Foragers traverse oak woods, broom thickets and uncultivated or stony areas, identifying the mother plants and inspecting the surrounding ground in search of the young shoots that have emerged nearby. The technique is minimal: the shoot is detached manually from the base or cut with the fingers, leaving the mother plant intact and preserving the underground rhizome from which new shoots will continue to emerge over the following days and weeks.

Local taxonomy distinguishes the shoots according to colour and flavour: those exposed to sunlight, darker and tending towards violet, are considered more flavourful and richer in iron; those that grow in shaded positions or beneath tall grass, lighter green in colour, are regarded as less intense on the palate. This empirical distinction, transmitted orally among foragers, finds partial confirmation in botany: exposure effectively influences the concentration of pigments and certain secondary metabolites.

Practitioners perceive gathering as an activity with both sporting and contemplative value: it requires good physical fitness, the ability to move across steep and uneven terrain, and an eye trained to identify the shoots among leaves and grass. It is also, very frequently, a relational and competitive experience: people go out in the company of friends or relatives, compare the quantities gathered at the end of the day, and exchange stories about the best spot, the bunch discovered, or the unexplored area.

From a historical and social perspective, the gathering of wild asparagus shoots long represented an important form of dietary supplementation within peasant subsistence economies. Maurizio Cruciani recalls how, in his mother’s memories, asparagus was “highly sought after” during the decades of rural poverty, because it was enough to “have a few hens and some eggs, and you could make an omelette in the evening”. Even today, asparagus omelette remains the reference dish of the local tradition, prepared according to the family recipe with asparagus washed and dried, cooked directly in the frying pan with oil and salt over a low flame and without prior blanching, then bound together with egg.

Family transmission

Maurizio Cruciani, voice.

Villa Petto di Colledara (TE), 22 April 2025.
Recording by Emanuele Di Paolo,
Don Nicola Jobbi/Bambun Study Centre Archive.

Listen to the track

LOGO CENTRO STUDI EDIZIONI3bianco
1-Villa-Petto-Raccolta-asparagi1-Villa-Petto-Raccolta-asparagi
The shoots of the mammara
The shoots
Close-up of the gathered shoots: the colour gradations from light green to dark violet are visible, with some tips already beginning to develop lateral branches.

Photo by Emanuele Di Paolo,
Villa Petto di Colledara (TE), 22 April 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.
2-Villa-Petto-Raccolta-asparagi2-Villa-Petto-Raccolta-asparagi
The shoots of the mammara
The asparagus and the walking stick
The hand of the forager Maurizio Cruciani grips a bunch of freshly gathered asparagus, while in the other hand appears the walking stick used for moving through the woods.

Photo by Emanuele Di Paolo,
Villa Petto di Colledara (TE), 22 April 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.
3-Villa-Petto-Raccolta-asparagi3-Villa-Petto-Raccolta-asparagi
The shoots of the mammara
The hand and the shoot
Close-up of a dark, almost violet shoot just identified on the ground among grass and dry branches: the hand of a young forager approaches to detach it at the base.

Photo by Emanuele Di Paolo,
Villa Petto di Colledara (TE), 22 April 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.
4-Villa-Petto-Raccolta-asparagi4-Villa-Petto-Raccolta-asparagi
The shoots of the mammara
The gathered bunch
Alessandro Di Carlo, a very young forager, shows the bunch of asparagus he has just gathered: a substantial handful of shoots of varying lengths and colours.

Photo by Emanuele Di Paolo,
Villa Petto di Colledara (TE), 22 April 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.
5-Villa-Petto-Raccolta-asparagi5-Villa-Petto-Raccolta-asparagi
The shoots of the mammara
Along the path
Enzo Di Carlo crouches near a path during a pause in the gathering route while observing the bunch of asparagus already collected.

Photo by Emanuele Di Paolo,
Villa Petto di Colledara (TE), 22 April 2025,
Don Nicola Jobbi/Bambun Study Centre Archive.

Watch the video

Gathering wild asparagus

Maurizio Cruciani, accompanied by several friends and by the very young Alessandro Di Carlo, traverses woods and uncultivated land in search of wild asparagus, illustrating the techniques of searching and gathering and the underlying spirit that animates the practice.

Villa Petto di Colledara (TE), 22 April 2025.
Footage by Emanuele Di Paolo,
Don Nicola Jobbi/Bambun Study Centre Archive.

Cultural transmission and protection

The gathering of wild asparagus remains a vital practice in the Teramo area and throughout much of the Gran Sasso region, involving broad participation across different generations and social backgrounds. Historically transmitted within family groups through direct accompaniment, the practice now faces several elements of fragility: the progressive reduction of time spent in the woods by younger generations, the pressure exerted on the resource by inexperienced foragers who in some cases damage the mother plant, the phenomenon of waste abandonment in the growing areas, and the absence in Abruzzo — unlike other Italian regions such as Tuscany, Veneto and Sicily — of a specific regulation governing gathering methods and establishing quantitative limits.

Within this context operates the Accademia degli Asparagi Selvatici (“Academy of Wild Asparagus”), a cultural association founded in Teramo by Maurizio Cruciani in 2018 with the aim of promoting knowledge of wild asparagus — its botanical characteristics, sustainable gathering techniques, culinary uses and nutritional properties — through public events, non-competitive contests, countryside dinners, markets, conferences, identification workshops led by specialists in wild herbs, and environmental education activities in primary and secondary schools throughout the area, with the purpose of transmitting to younger generations respect for woodland environments and their biodiversity.

The practice fully belongs among the forms of traditional ecological knowledge worthy of documentation and safeguarding, insofar as it conveys botanical, lexical, gastronomic and territorial knowledge.

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